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UCLA Center for 17th and 18th Century Studies
Academic and Public Programs

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  Calendar of Events, 2007–08
  Music Programs, 2007–08

Calendar of Events, 2006–07
Calendar of Events, 2005–06
Calendar of Events, 2004–05
Calendar of Events, 2003–04
Calendar of Events, 2002–03

Calendar of Events, 2001–02
Calendar of Events, 2000–01

Core Program, 2006–07
Core Program, 2005–06
Core Program, 2004–05
Core Program, 2003–04
Core Program, 2002–03
Core Program, 2001–02
Core Program, 2000–01

Music Programs, 2006–07
Music Programs, 2005–06
Music Programs, 2004–05
Music Programs, 2003–04
Music Programs, 2002–03
Music Programs, 2001–02
Music Programs, 2000–01

Bruman Summer Concerts, 2007
Bruman Summer Concerts, 2006
Bruman Summer Concerts, 2005
Bruman Summer Concerts, 2004
Bruman Summer Concerts, 2003
Bruman Summer Concerts, 2002

Bruman Summer Concerts, 2001



Academic and Public Programs

For detailed information about the current year's programs, click to view the
Calendar of  Events. 

Several types of interdisciplinary academic programs offered each year are designed to explore the latest research in the early modern period or in some of the special areas represented in the Clark's collections.

Center/Clark Professorship

One or more distinguished scholars are appointed each year to the Center/Clark Professorship; tenure ranges from one quarter to an academic year, depending on the number of appointments. The Center/Clark Professor, in collaboration with the Director, organizes academic programs consisting of public lectures, seminars, and workshops, and develops publications from them. If not already affiliated with UCLA, the Center/Clark Professor holds a visiting appointment in one of the departments and participates in its instructional activities.

Core Programs

The heart of the Center/Clark's academic activity are its core programs—series of interdisciplinary events developed around a common theme. This organizing principle allows for great flexibility in format and scope: core programs may range from three or four consecutive workshops to a series spanning a year or more, with a full complement of symposia, workshops, graduate seminars, and public lectures, held at the Clark or at UCLA. Core programs are organized each year by the current Center/Clark Professor or Professors, who are encouraged to design programs that will lead to publication in the Center/Clark series. The Center's Ahmanson-Getty theme-based fellowships are linked to the core programs as well.
Forthcoming and recent programs include: 

  • 2009–10: Cultures Of Communication, Theologies Of Media In Early Modern Europe And Beyond, directed by Christopher Wild (UCLA) & Ulrike Strasser (UC Irvine)
  • 2008–09: The British Atlantic in an Age of Revolution and Reaction:From Boston to Peterloo and Tea Party to Massacre, directed by Saree Makdisi, English, UCLA, and Michael Meranze, History, UCLA
  • 2007–08: Spaces of "Self" in Early Modern Culture, directed by David Sabean, and Malina Stefanovska
  • 2006–07: Imperial Models in the Early Modern World, directed by Anthony Pagden, History and Political Science, UCLA, and Sanjay Subrahmanyam, History, UCLA
  • 2005–06: Vital Matters: Eighteenth-Century Views of Conception, Life, and Death, directed by Helen Deutsch, English, UCLA; and Mary Terrall, History, UCLA
  • 2004–05: Structures of Feeling in Seventeenth-Century Cultural Expression, directed by Susan McClary, UCLA
  • 2003–04: The Age of Projects: Changing and Improving the Arts, Literature, and Life during the Long Eighteenth Century, 1660-1820, directed by Maximillian E. Novak, UCLA
    2002–2003: Braudel Revisited: The Mediterranean World, 1600–1800, directed by Gabriel Piterberg, Teofilo Ruiz, and Geoffrey Symcox, all of UCLA
  • 2001–2002: History, Theory, and the Subject of Rights, 1640–1848, directed by Kirstie McClure, UCLA, J. G. A. Pocock, Johns Hopkins University 
  • 2000–2001: Culture and Authority in the Baroque, directed by Patrick Coleman and Massimo Ciavolella, both of UCLA
    • Reading Space: Direction and Discovery in the Expanding World
    • Together Apart: Communion, Community, and Concealment
    • A third program will be announced
  • 1999-2000: The Global Eighteenth Century: The Four Corners of the Earth directed byFelicity Nussbaum, UCLA
    • Crossings: Racial and Sexual Intermixture in Africa and the New World
    • Mapping the Eighteenth-Century World
    • From China to Peru: Orientalism and Exoticism Revisited
    • Homosexuality in the Eighteenth Century
    • Eighteenth-Century Islands 
  • 1998-99: Oscar Wilde and the Culture of the Fin de Siècle, directed by Joseph Bristow, UCLA
    • Wilde Writings: Attributions, Editions, and Revisions
    • Wilde Stages: Productions, Traditions, Appropriations
    • The New Wilde Criticism: Aesthetics, Politics, Sexuality
    • New Perspectives on the Avant-garde and the Fin de Siècle
    • Sexual Controversies of the Fin de Siècle
  • 1997-98: Millenarianism and Messianism in Early Modern Europe and America, directed by Richard H. Popkin, UCLA
    • Jewish Messianism in the Early Modern Period
    • Catholic Millenarianism from Savonarola to Eighteenth-Century Jansenist Thinkers
    • Millenarianism among English Protestant Thinkers, 1600-1800: Science, Liberal Politics, Philosemitism, and Millenarian Thought
    • Continental Millenarianism
    • Millenarianism and Revolution 
  • 1996-97: New Directions in the Study of Early Modern Culture and Society, directed by Hans Medick, Max-Planck-Institute für Geschichte, Göttingen
    • Personality and the Construction of the Self 
    • Outsiders: From the Periphery to the Center 
    • Beyond Elias? Court Society: The Center as Symbol and Locus of Power
    • The Challenge of Microhistory and Its Macrohistorical Responses
    • Nature and Natural Philosophers in Early Modern Europe
    • Deformity, Monstrosity, and Gender, 1600–1800
  • 1995-96: Challenge of the Enlightenment, directed by Joyce Appleby, Carlo Ginzburg, Anne Mellor, Maximillian Novak, Gary Nash, Theodore Porter, and Peter H. Reill, all of UCLA; Hans Bödeker, Max-Planck-Institut für Geschichte, Göttingen; and Istvan Hont, Cambridge University
  • 1994-95: Life Studies: Autobiography, Biography, and Portrait in the Seventeenth and Eighteenth Centuries, directed by Patrick Coleman, Jayne Lewis, and Jill Kowalik, all of UCLA
  • 1993-94: American Dreams, Western Images: Mapping the Contours of Western Experiences, directed by Valerie Matsumoto and George Sanchez, both of UCLA
  • 1992-93: Constructing the Body in the Seventeenth and Eighteenth Centuries: Its Forms, Representations, and Regulation, directed by Kathryn Norberg, Sara Melzer, and Anne K. Mellor, all of UCLA
  • 1991-92: Society and Culture in Early Modern Europe, a cluster series comprising the following programs: 
    • Mozart's Music: Text and Context 
    • Themes and Oppositions in the Rococo 
    • Civility, Court Society, and Scientific Discourse: Reframing the Scientific Revolution 

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Conferences and Workshops

The Center and the Clark organize and sponsor interdisciplinary conferences and workshops, usually at the Clark, which bring scholars from throughout the world to UCLA to explore specific issues and to develop innovative interpretative approaches. On occasion these symposia are arranged in association with other campus departments or with other institutions. Some of the proceedings are published, either in the Center/Clark series or in journals. Forthcoming and recent programs include:

2007-08:

    Circulation and Locality in Early Modern Science
    The "Majesty" of Power in Seventeenth-Century Italy: Ritual, Representation, Art
    At the Interface of Religion and Cosmopolotanism: Bernard Picart's Picart’s Céremonies et Coutumes Religieuses de Tous les Peuples du Monde (1723-1743) and the European Enlightenment
    Letters Before the Law, 1640-1789
    “Age of Revolutions” or “World Crisis”? State Formulation and Political Reform in Global Comparison, c. 1760-1840
    Changing Conceptions of Original Sin in the Early Modern Period

2006-07:

2005-06:

    Transformations: Seventeenth- and Eighteenth-Century Religion, Texts, Cultures
    The Political Culture of the Revolt of the Netherlands, 1566-1648
    The Arabian Nights in Historical Context: From Galland to Burton
    Courts and Scientific Exchange in the Long Seventeenth Century

2004-05:

    Imposters:Identity and Pretense in Europe and the Atlantic World, 1600-1800
    Oscar Wilde at 150: A Legend in the Making
    Atlantic Knowledges: The Sciences and the Early Modern Atlantic World
    Politicizing Jane Austen
    Women, Religion, and the Atlantic World, 1600-1800
    Jesuit Accounts of the Colonial Americas-Textualities, Intellectual Disputes, Intercultural Transfers
    Fashion in the Age of Louis XIV

2003-04:

    The Radical Enlightenment
    The Culture of Enlightenment and Reform in Eighteenth-Century Italy
    Theorizing the Dynamics of Core-Periphery Relations
    Communication and Dissimulation in Seventeenth-Century Europe
    Aretino and the Libertine Tradition

2002-03:

    Rousseau and the Visual
    Factions and Fictions in Early Modern Europe
    Monarchists and Monarchisms against the Current
    Early Modern Italian Jewish Culture
    The Intersection of Politics and German Literature, 1750-2000
    Eighteenth-Century Colonialisms and Post-Colonial Theories

    2001-2002:

    • Feminism, Enlightenment, and Religion
    • "Ancient History and the Antiquarian Fifty Years Later: Arnaldo Momigliano and the History of Cultural History
    • History and the Truth
    • The Hermetic Imagination in the Seventeenth and Eighteenth Centuries
    • The Fin-de-Siècle Poem 
    • Furniture, Society, and Self in the Eighteenth Century
    • Childhood and Society
    • Italy's Eighteenth Century: Politics, Gender, and Knowledge in the Age of the Grand Tour

    2000-2001

    • The New Dryden: Poetry, Politics, and Society
    • "An Old Age Is Out": The New Dryden and the Arts of the Restoration
    • John Dryden in Music
    • Remembering Oscar Wilde
    • Newton 2000: Newtonian Studies in the New Millennium
    • Repetition and Regime in Early Modern Culture, 1660-1832
    • "A Clever Orator": Colloquies and Performances Exploring Rhetoric in Haydn's Chamber Music
    • The Masonic Legacy as Myth and Reality, 1700–2000
    • The Musician As Entrepreneur and Opportunist, 1700–1900
    • Culture, Power, and Commerce in the Seventeenth and Eighteenth Centuries: The Case of Venice (in Venice)

1999-2000

Commerce and the Representation of Nature in Early Modern Europe
Histories of Heresy, 1640-1800
The Ashes of Bruno: A Symposium to Commemorate Giordano Bruno on the 400th Anniversary of His Death
Gaelic Culture, Literature, and Society
Iran and the Surrounding World since 1500: Cultural Influences and Interactions
Exemplary Cases: Representative Bodies in Anglo-America, 1600-1820
Romantic Enlightenment: Sir Walter Scott and the Politics of History New Western Histories: Honoring Norris Hundley"New" Women, "Old" Men? Debating Sexual Difference around the Fin de Siècle
Moralizing Nature (in Berlin) 

    1998-99 

    • Grand Crossings: A Symposium Honoring the Life and Work of Professor Alexander Saxton
    • Forging Connections: Women's Poetry from Renaissance to Romantic
    • War and Science during the Old Regime
    • British Radical Culture of the 1790s
    • Casanova and the Enlightenment
    • Materialist Philosophy, Religious Heresy, and Political Radicalism, 1650–1800
    • Republican Virtue in Switzerland (In Ascona, Switzerland)

     

    1997-98

    • "Telling the Truth about History": A Roundtable with the Authors
    • Montesquieu and the Spirit of Modernity
    • Women in the Theater
    • Ordering Nature in the Enlightenment
    • Stories about Childbirth

    1996-97 

    • Nature and Natural Philosophers in Early Modern Europe
    • Deformity, Monstrosity, and Gender, 1600-1800
    • Science and the Social Sciences in the Late Eighteenth and Early Nineteenth Centuries
    • Napoleon's Expedition to Egypt: Considering the Effects
    • William Hogarth: A Tercentenary Symposium (with a concurrent exhibition at UCLA at the Hammer Museum)
    • The Swiss Connection: Reconceptualizing Nature, Science, and Aesthetics
    • Humanitarianism, Human Rights, and Revolution: The Abbé Henri Grégoire and His Causes 

    1995-96 

    • The Scholar, the Intellectual, the Teacher: Historical Representations. A Tribute to Amos Funkenstein
    • Enthusiasm and Modernity in Europe, 1650-1850
    • Germaine de Staël: Mediating Culture in the Age of Revolution
    • Newton and Religion
    • Enlightenment and Diaspora: The Armenian and Jewish Cases
    • Skepticism in the Late Eighteenth and Early Nineteenth Centuries (in Leipzig and Göttingen) 

    1994-95 

    • Vindicating Wollstonecraft 
    • Celebrating Keats: 1795-1995
    • Eighteenth-Century Opera: A Reunion of History and Music History
    • Leibniz, Mysticism, and Religion 
    • Dutch National Consciousness in Seventeenth-Century Art 


    1993-94 

    • Discourses of Tolerance and Intolerance in the Enlightenment 
    • The Rhetoric of Bureaucratic and Academic Prose: Genres, Figures, Tropes, and Gestures 
    • Gender and Science in Early Modern Europe 
    • Going Public: Women and Publishing in Early Modern France 
    • Vitalism in the Enlightenment 
    • George Herbert in the Nineties: Reflections and Reassessments 
    • Exploring the Early Modern City: The Turin Census of 1705 


    1992-93 

    • Seventeenth-Century French Studies Today: A Conference in Honor of Professor Lloyd Moote 
    • Located Knowledges: Intersections between Cultural, Gender, and Science Studies 
    • Mapping the Public Sphere: Configurations of Eighteenth-Century Culture after Habermas 
    • Johann Amos Comenius: Educator, Philosopher, Theologian 
    • Grammar and Inscribing Culture 


    1991-92 

    • Jewish Christians/Christian Jews in the Seventeenth and Eighteenth Centuries 
    • Venue and Power: The Politics of Place in Early Modern Europe 
    • "Remember St. Domingo": A Symposium on the Bicentenary of the Haitian Revolution 

     



Chamber Music

The chamber music programs offered by Center and the Clark are rapidly establishing a reputation for enhancing the cultural life of the community. At the core of these program is Chamber Music at the Clark, a series established in 1994 with the support of a pilot grant from the Ahmanson Foundation of Los Angeles. The series has now gained increased support, and several concerts take place at the Clark each year featuring internationally acclaimed chamber ensembles. The on-campus Henry J. Bruman Summer Chamber Music Festival, an existing series for which the Center assumed responsibility in the summer of 1998, has the additional aim of introducing new audiences to chamber music. Finally, Clark Recitals, developed since spring 2000, is the newest series.. Forthcoming and recent programs include:

    Chamber Music at the Clark and Clark Recitals:

    2007-08:
    Ying Quartet
    Lawrence Quartet
    Enzo Quartet
    Parisii Quartet
    Borealis Quartet
    American String Quartet
    Gryphon Trio

    2006-07:
    Alan Gampel
    Vogler String Quartet
    Boston Trio
    Artemis Quartet
    Quartetto di Venezia
    Talich String Quartet
    Parker String Quartet
    Pascal Roge and Antonio Lysy

    2005-06:
    American String Quartet
    Sequenza
    Paris Piano Trio
    St. Petersburg String Quartet (Chamber Music Fundraiser)
    Artemis Quartet
    Pavel Haas Quartet


    2004-05:

    The New Zealand String Quartet
    Bennie Maupin Ensemble
    The Boston Trio
    Quartetto di Venezia
    Artemis Quartet
    Miro String Quartet


    2003-04:

    Finckel and Han Duo
    Shanghai Quartet
    Ying Quartet
    Jerusalem Trio
    Petersen Quartet
    Triple Helix


    2002-03:

    New Hollywood String Quartet
    Artemis Quartet
    Shanghai String Quartet
    Peabody Trio
    Bartók String Quartet
    Quartetto di Venezia [Clark Recitals Series]

    2001–02:
    Orpheus Quartet
    David Finckel and Wu Han
    American String Quartet
    Muir Quartet
    Tom Beghin Presents Haydn's Keyboard Sonatas [Clark Recitals Series]
    Ying Quartet [special performance to celebrate the 75th anniversary of the Clark Library]

    • 2000–2001:
      Lanier Trio
      Pacifica Quartet
    • Rosetti String Quartet
      Artemis Quartet
    • Il Ruggiero, Il ritorni di Ulisse in Patria [Clark Recitals Series]
      Tom Beghin Performs Haydn's Keyboard Sonatas [Clark Recitals Series]

    • 1999-2000:
      Talich Quartet
      Artemis Quartet
      Duo Calabrese
      Orpheus Quartet
      Debussy Trio [Clark Recitals Series]
      Tom Beghin Performs Joseph Haydn's "Auenbrugger Sonatas" [Clark Recitals Series]

    • 1998-99: The Ying Quartet, Gilles Ragon and Jean-Louis Haguenauer, the Orion String Quartet, Paris Piano Trio, and Orpheus Quartet

    • 1997-98: The Ying Quartet, Franz Schubert's Winterreise (performed by Gilles Ragon and Jean-Louis Haguenaur), the St. Petersburg String Quartet, and the SoLaRe String Trio 

    • 1996-97: The Angeles Quartet, an afternoon with Franz Schubert, the Eroica Trio, and the Artis Quartet 

    • 1995-96: The American String Quartet, the Duo Calabrese, the Bartók Quartet, and the Endellion String Quartet 

    • 1994-95: The Cherubini String Quartet, the Shanghai Quartet, and the Lafayette Quartet 

     

    The Henry J. Bruman Summer Chamber Music Festival


    • Summer 2007:
      Mládí; Janaki String Trio; I Palpiti Soloists presented by Young Artists International; A string quartet headed by Tamara Chernyak;
    • Summer 2006:
      Chernyak, Wetzel, Gold String Quartet; Armadillo String Quartet; Mládí; I Palpiti Soloists presented by Young Artists International; Calder Quartet; La Camerata;
    • Summer 2005:
      Chernyak, Wetzel, Gold String Quartet; Armadillo String Quartet; Mládí; I Palpiti Soloists presented by Young Artists International; La Camerata; Calder Quartet;
    • Summer 2004:
      La Camerata; Armadillo String Quartet; I Palpiti Soloists presented by Young Artists International; Mládí; Chernyak, Hedwall, Wetzel, Lum String Quartet;
    • Summer 2003:
      Armadillo String Quartet; La Camerata; I Palpiti Soloists presented by Young Artists International;
    • Summer 2002:
      Musica Angelica; Armadillo String Quartet; Brentwood Soloists; L. A. Philarmonic Performers Tamara Chernyak, Akiko Tarumoto,Ingrid Hutman, and Gloria Lum; I Palpiti Soloists presented by Young Artists International;
    • Summer 2001:
      Armadillo String Quartet; L. A. Philarmonic Performers Tamara Chernyak, Akiko Tarumoto,Ingrid Hutman, and Gloria Lum; I Palpiti Soloists presented by Young Artists International;
      Summer 2000:
    • Armadillo String Quartet, Cypress String Quartet, Young Artists International Laureates
    • Summer 1999:
      St. Petersburg String Quartet; Cypress String Quartet; Armadillo Quartet; Young Artists International Laureates; Musica Angelica; Marcia Dickstein, Angela Wiegand, and Simon Oswell
    • Summer 1998:
      Ensembles formed by Bing Wang, Evan N. Wilson, and Daniel Rothmuller; Peter Kent, Susan Jensen, Maria Newman, Maurice Grants, and Amanda Walker; Isabella Lippi, Meredith Snow, and Armen Ksajikian; Jacqueline Brand, Polly Sweeney, Victoria Miskolczy, and Paul Cohen; Marcia Dickstein, and Angela Wiegand; Rachel Purkin, Amy Hershberger, John Scanlon, and Steve Richards

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Other Public Programs

Every year the Center and the Clark present special public programs that highlight seventeenth- and eighteenth-century arts and culture and aspects of the Clark's rich collections. Some of these programs have developed into series. Poetry Afternoons at the Clark focuses on regional poets and their work as well as the connections between poetry and other arts. The Stephen Kanter Lecture on Fine Printing is dedicated to an exploration of the history and practice of the printing arts. The most recently established public series is the Richard H. and Juliet G. Popkin Lecture in Intellectual History and the History of Philosophy. Recent and forthcoming programs include:

  • 2007-2008
    • William Zachs Lecture on Oscar Wilde
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
    • Kenneth Karmiole Lecture on the History of the Book Trade
  • 2006-2007
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
    • Kenneth Karmiole Lecture on the History of the Book Trade
  • 2005-2006
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
    • Kenneth Karmiole Lecture on the History of the Book Trade
  • 2004-2005
    • Richard H. and Juliet G. Popkin Lecture in Intellectual History and the History of Philosophy
      • SARAH HUTTON Professor of Early Modern Studies at Middlesex University, Religion and the Rights of Women: Mary Astell to Mary Wollstonecraft
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
  • 2003-2004
    • Celebrating Richard Popkin's New History of Scepticism: From Savonarola to Bayle and His Eightieth Birthday
      • David Myers, UCLA, Between False Messiahs and Free Thinkers: Dick Popkin and the Rethinking of Jewish History
      • Harry Bracken, Arizona State University, Popkin's Discovery of Berkeley's Anti-Pyrrhonism
      • Avrum Stroll, University of California, San Diego, Collaborating and Disagreeing with Genius
      • Allison Coudert, Arizona State University, Memories of a Grateful Popkinite
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
    • Merlin Holland - Irish Peacock and Scarlet Marquess: The Real Trial of Oscar Wilde
    • Dorothy and Lloyd Moote - The Great Plague: The Story of London's Most Deadly Year
    • A Colloquium in Honor of Frederick Burwick
  • 2002-2003
    • Richard H. and Juliet G. Popkin Lecture in Intellectual History and the History of Philosophy
      • Held as part of ISECS Quadrennial Congress
    • Seventh UC Colloquium on Early Modern Central Europe
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
  • 2001-2002
    • Richard H. and Juliet G. Popkin Lecture in Intellectual History and the History of Philosophy
      • Conference - Scepticism as a Force in Renaissance and Post-Renaissance Thought New Findings and New Interpretations of the Role and Influence of Modern Scepticism
    • Staged Reading of "Lady Windermere's Fan" by Oscar Wilde
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
  • 2000-2001
    • Richard H. and Juliet G. Popkin Lecture in Intellectual History and the History of Philosophy
      • David Sorkin, University of Wisconsin–Madison, "A Wise, Enlightened, and Reliable Piety": The Religious Enlightenment in Central and Western Europe, 1689–1789
    • Poetry Afternoons at the Clark
    • Kanter Lecture on Fine Printing
  • 1999–2000
    • Richard H. and Juliet G. Popkin Lecture in Intellectual History and the History of Philosophy
      • David Brion Davis, Yale University, The Impact of the Haitian Revolution
    • Poetry Afternoons at the Clark
      • Diverse City: Multicultural Poets of Los Angeles
    • Kanter Lecture on Fine Printing
      • Peter Koch, Printing the Pre-Socratics in Berkeley
  • 1998-99
    • Poetry Afternoons at the Clark.
      • The Other Sister Art: Poetry and Music
    • Kanter Lecture on Fine Printing
      • The Plantin Press
  • 1997–98
    • Poetry Afternoons at the Clark
      • Poets and Painters
    • Kanter Lecture on Fine Printing
      • Printing in the Shadow of the Big Three: Recollections of Patrick Reagh
    • John Randle of the Whittington Press, The Technique of Pochoir Illustration
  • 1996-97 
    • Poetry Afternoons at the Clark.
      • "Coastlines" Poetry
      • Poetry and Jazz: In the Spirit of Venice West
  • 1995-96
    • Poetry Afternoons at the Clark.
      • Remembrance of Poets Past: A Memorial Reading of L.A. Poets by L.A. Poets Who Knew Them
  • 1994-95 
    • Compassion behind Bars: Oscar Wilde in Reading Gaol and After 
    • Printing at Whittington, 1971-1994 
  • 1993-94 
    • The String Quartet: Music for Mischa 
    • The Painted Book 
  • 1992-93 
    • Musical Repercussions of 1492: An Afternoon with Robert Stevenson, with music by I Cantori 
    • Cruikshank:The Satiric Tradition 
  • 1991-92
    • Nature and Health: Town and Country in Georgian London 

    Lectures and Faculty Seminars

    The Center and the Clark sponsor individual lectures by visiting scholars and by UCLA faculty on subjects of interest to the Center/Clark community. These lectures are generally arranged in cooperation with academic departments at UCLA.


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    Programs for Graduate and Undergraduate Students

    Interested graduate students are invited and encouraged to attend all of the Center/Clark programs. In addition, the following programs are designed specifically for students:

    Graduate Colloquia and Seminars:

      The Center organizes colloquia for graduate students allowing them to present papers, research projects, or dissertation proposals focusing upon a specific area or subject matter. The UC Colloquium on Early Modern Central Europe, which serves as a model for such endeavors, brings together graduate students from the University of California system to present papers and discuss issues pertaining to various aspects of early modern Central Europe. The colloquium focuses upon the culture, literature, and societies of the area that originally comprised the Holy Roman Empire (Germany, Austria, Switzerland, the Czech Republic, Hungary, the Low Countries, and parts of Poland and northern Italy). The era covered stretches from the fourteenth century into the nineteenth century.

      The Center also offers UCLA faculty members the opportunity to organize graduate seminars designed to stimulate cross-disciplinary studies at UCLA. Team-taught by faculty from different departments, the seminars present students with an opportunity to investigate subjects and explore approaches cutting across traditional academic, cultural, and intellectual boundaries. Topics vary from year to year.


    Master Classes:

      The program of master seminars brings graduate students, along with UCLA faculty, into direct contact with internationally known scholars, who conduct the classes. Members of the Center's core faculty organize the seminars in consultation with the Director.


    Programs for Undergraduate Students

      The Center organizes a yearly undergraduate seminar that explores a subject in seventeenth- and/or eighteenth-century studies. The seminar, directed by one of the core faculty members, is held at the Clark Library and requires students to complete a research project based upon the Clark's holdings. The participants in this seminar receive a grant of one thousand dollars upon the successful completion of the course. This program is made possible by the generous support of the Ahmanson Foundation. 

 

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