Friday,
June 3 _______________________
9:30 A.M. |
Coffee |
10:00 A.M. |
Session 1 – Commedia dell’Arte
Welcoming Remarks
Peter H. Reill, UCLA
Massimo Ciavolella, UCLA
Isabella Andreini and Commedia dell’Arte in Italy
Eileen L. Moyles, Ahmanson-Getty Fellow, UCLA Center for 17th- & 18th-Century Studies
Antibodies: The Commedia dell’Arte at the Fairs in Early Modern Paris |
12:00 P.M. |
Lunch |
1:30 P.M. |
Session 2 – Listening, Swooning, Weeping
Andrew Dell’Antonio, The University of Texas at Austin
Recte Sentire: Proper Listening, Sensuality, and Transcendence in Early Modern Italy
Robert L. Kendrick, University of Chicago
Musical Paths, Mystical Unions in Seventeenth-Century Europe
Suzanne Cusick, New York University
Performance, Performativity, and Politics in Early 1600 Florence
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4:30 P.M. |
Reception |
Saturday, June 4 _______________________
9:30 A.M. |
Coffee |
10:00 A.M. |
Session 3 – Ideologies of Affect
Sarah Covington, Ahmanson-Getty Fellow, UCLA Center for 17th- & 18th-Century Studies
Wracking, Cutting, Branding, Burning: Judicial Wounding in Seventeenth-Century England
Leonard Tennenhouse, Brown University
The Tragedy of the Humourless Hero
Nancy Armstrong, Brown University
The Politics of Incorporation at the Dawn of Individualism
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1:00 P.M. |
Lunch |
2:00 P.M. |
Session 4 – Bodies that Matter
Richard Wistreich, University of Newcastle
The Anatomy of Singing: Voice and the Performance of Identity in Early Modern Italy
Mark Franko, University of California, Santa Cruz
Fragment of the Sovereign as Hermaphrodite
Kathryn A. Hoffmann, University of Hawaii, Manoa
The Odd and the Dead: Spectacle, Curiosity, and the Making of Corporeal Knowledge in the Early Modern
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