Vision and Knowledge in the Seventeenth and Eighteenth Centuries

A conference at the William Andrews Clark Memorial Library
—organized by Lynn Hunt (University of California, Los Angeles) and Ann Jensen Adams (University of California, Santa Barbara)

Friday
October
14th
&
Saturday
October
15th

“To see is to know”, wrote Aristotle.  Even today, “I see” can mean “I understand.”  Aristotle understood the connection between sight and knowledge to be physical, however.  Before the seventeenth century, the eye was believed to be connected directly to the spirit: an impression of objects seen were understood as physically impressed upon the soul.  Sight was, therefore, both the most powerful and the most dangerous of senses.   Its perceived power lay behind the explosion of image creation in a wide variety of forms and media in the early modern period; and its perceived danger lay behind the iconoclastic fury of the Protestants who destroyed images in Catholic churches in the Low Countries in 1566.  Between the sixteenth and eighteenth centuries in Europe, in a paradigm shift sometimes referred to by the much discussed term the “Scientific Revolution,” a space was opened between vision and the soul, with new attention to the imperfect ocular apparatus, and such voluntary activities as reflection and reason, articulated memorably by Descartes’ “I think, therefore I am.”  Empirical experience, enhanced by the invention of such optical devices as the microscope and telescope, took on new meaning, which in turn had a dramatic impact upon beliefs about the nature of images, their function in knowledge production, and the role of makers in their creation.  Since Aristotle, these understandings were—as they continue to be—highly gendered: woman’s imagination and uncontrollable passions were set against man’s reason.  Changed understandings of sight and reason, then, produced new understandings of the material world and thereby of the status and role of images in knowledge production.

This conference investigates this moment so crucial to our modern world view through the perspectives of historians of art, of science, and of material culture, in the seventeenth and eighteenth centuries.  Our participants examine contemporaneous understandings of sight, and the resulting epistemological status and function of images in producing knowledge, from optics and the practice of fine art, its display, religion, to diagrams and natural history, architecture, travel illustration, colonialism, revolution, and the telegraph.


–Registration form   

 

Registration Deadline: October 7, 2011

Please click here for a printable registration form.

Registration Fees: $20 per person; UC faculty & staff, students with ID: no charge*

All students, UC faculty and staff may register via e-mail by sending their name, affiliation and phone number to c1718cs@humnet.ucla.edu

*Students should be prepared to provide their current University ID at the conference.

Complimentary lunch and other refreshments are provided to all registrants.

Please be aware that space at the Clark is limited and that registration closes when capacity is reached. Confirmation will be sent via email.

 

Friday,
October 14th

Program Schedule:

 

9:30 a.m.

Morning coffee

 

10:00 a.m.

Barbara Fuchs, UCLA
Welcoming and Opening Remarks

Session I: Religious and Scientific Dimensions of Vision

Stuart Clark, University of Wales, Swansea
The Discernment of Spirits: Vision and Knowledge in a Religious Context

Jeanette Favrot Peterson, University of California, Santa Barbara
The Science of Optics, Materiality and the Visionary in Seventeenth- and Eighteenth-Century New Spain

Lyle Massey, University of California, Irvine
Against the "statue anatomized": Debates over Representation, Dissection and Vision in Early Modern Anatomy

 

1:00 p.m.

Lunch

 

2:00 p.m.

Session II: Vision and Representation

Ann Jensen Adams, University of California, Santa Barbara
Painted Surfaces and the Mechanisms of Sight

Alexander Marr, University of Southern California
'Broken reflections of shapes in Sleepe': Vision and Knowledge in Richard Haydocke's Oneirologia

Erica Naginski, Harvard University
Rococo Vision and the "Sonorous Body” of Architecture

 

5:00 p.m.

Reception

 

Saturday,
October 15th

   

9:30 a.m.

Morning Coffee

 

10:00 a.m.

Session III: Vision, the Body, and Experience

Elmer Kolfin, University of Amsterdam
When Africans Became Black. The Changing Image of Africans in Early Modern Netherlandish Prints (c.1500–1700)

Bronwen Wilson, University of British Columbia
Inscription, the Horizon and Early-Modern Journeys to Constantinople

Annemieke Hoogenboom, Utrecht University
The Pictorial Diary of Christiaan Andriessen: the Snapshot View of an Eighteenth-Century Painter

 

1:00 p.m.

Lunch

 

2.00 p.m.

Session IV:  Vision and the Political

Lynn Hunt, University of California, Los Angeles
French Revolutionary Prints and the Discovery of Social Categories

Richard Taws, University College, London
The Telegraphic Image in Revolutionary France