Rivalry and Rhetoric in the Early Modern Mediterranean:
Imagining the Mediterranean in Early Modern England

A core program conference at the William Andrews Clark Memorial Library
—organized by Clark Professor Barbara Fuchs (UCLA)

Friday,
May 4th


Core Program

The program involves humanities scholars whose research interests relate to the representation of empire and imperial rivalry in the early modern Mediterranean. The field of Mediterranean studies has grown tremendously in recent years, with rich investigations both within the national disciplines and in a comparative framework, placing empires side by side. This series will focus on the imbrication and entanglement of the various actors in the early modern Mediterranean (the Ottoman and the Habsburg empires, Portugal, Morocco, France, England, Venice, and so forth). How is imperial competition managed in different genres? How do literary and cultural productions render the alterity and the attraction of the cultures encountered? Rivalry and Rhetoric will feature three symposia that take us from the broadest problems of representation to a case study—early modern England—for which the "Mediterranean turn" has radically changed the field.

Session 3Imagining the Mediterranean in Early Modern England

This conference explores how England engages the Mediterranean as conceptual space, and how this engagement intersects with those of other European nations. What role does the representation of Mediterranean empire serve in thinking through England's own expansion? How is the threat of the Mediterranean negotiated in various genres? How has the canon of early modern English writing changed in response to the Mediterranean turn of recent years? Topics will include the geography of revenge tragedy, Iberian tragedies, Shakespeare's Mediterranean, Machiavellianism on stage, Spanish plots and plotting-Spaniards, translation and appropriation.


–Registration form   

 

Registration Deadline: May 1, 2012

Please click here for a printable registration form.

Registration Fees: $20 per person; UC faculty & staff, students with ID: no charge*

All students, UC faculty and staff may register via e-mail by sending their name, affiliation and phone number to c1718cs@humnet.ucla.edu

*Students should be prepared to provide their current University ID at the conference.

Complimentary lunch and other refreshments are provided to all registrants.

Please be aware that space at the Clark is limited and that registration closes when capacity is reached. Confirmation will be sent via email.

 

Friday,
May 4th

   

8:45 a.m.

Registration/Check-In

 

9:15 a.m.

Welcome and Opening Remarks
Barbara Fuchs, University of California, Los Angeles

Session I: Genealogies of Modernity
Chair: Rebecca Lemon, University of Southern California

Jacques Lezra, New York University
Dramatic and Civil Logic in the Formation of the European State-Form or, A very short treatise of Piratology

Ania Loomba, University of Pennsylvania
The Mediterranean and Maritime Modernity


 

10:45 a.m.

Coffee Break

 

11:00 a.m.

Session II: Engaging Others
Chair: Jonathan Burton, Whittier College

Brian Lockey, St. John's University
The Pope's Scholars: Papal Supremacy and the 1579 Student Revolt at the English College in Rome

Nabil Matar, University of Minnesota
The World through Arab Eyes in the Early Modern Period

Daniel Vitkus, Florida State University
English Writing, Ottoman Empire: Sex, Commerce, and Religion in the Early Modern Period

 

12:45 p.m.

Lunch

 

1:45 p.m.

Session III: Mediterranean Genres I
Chair: Debora Shuger, University of California, Los Angeles

Emily C. Bartels, Rutgers University
The Mediterranean and/as the World

Jane Degenhardt, University of Massachusetts
Meta-theater and the Mediterranean

 

3:00 p.m.

Coffee Break

 

3:15 p.m.

Session IV: Mediterranean Genres II
Chair: Barbara Fuchs, University of California, Los Angeles

Walter Cohen, Cornell University
Genre and Geography: Shakespeare and Others

Emily Weissbourd, Ahmanson-Getty Fellow
The Spanish Empire in Webster's Italianate Drama

Concluding discussion

 

5:15 p.m.

Reception